FINISHED!

Not that it's of great importance or immediate relevance, but the First Reader is out and the kids could care less, and I have to gloat to somebody. I've just typed the last words of the seventh book in the Applied Topology series - the one I thought I wasn't going to write, but Thalia ambushed me. And as usual, I'm inordinately pleased. Not to mention being grateful to Real Life, for letting me finish it thirty-six hours before I have to present myself to the hospital for the first knee surgery. I figure I can lounge in bed or on a couch and edit the thing, even in the hospital and then at home, but I'm not so sure about placing a laptop on my knees or concentrating well enough to write new words in that first week.

For chronological reasons this book will have to be published after the first two books in the upcoming Dragon Speech series, because the first one has to take place less than a year after A Revolution of Rubies. Furthermore, Thalia makes cameo appearances in both Dragon Speech books; in the first one she's pregnant, in the second she's nursing a newborn, and in this book the baby is 10 months and she is just, with some reluctance, agreeing to go back to work part-time. I could edit the cameo appearances, but I don't see any way around the Revolution of Rubies connection. Ah, the joys of writing two series in the same universe! And when I think that I did this to myself... oh, well. It does not materially diminish the joy of completing this one.

The working title, which I rather like, is A Child of Magic. As always, reactions and suggestions are always welcome, but bear in mind that I'd like to keep to the format of the first six Applied Topology books: A [NOUN] of [NOUN].

The book in your head

It's been almost two weeks since I finished the first draft of Survivors. Writing this book has been an emotional journey of ups and downs. Starting with "The background (a society in collapse) is too dark, I don't want to write a dystopia, I'm going to pull back from the depressing stuff." This was succeeded by, "[Expletive], I can't avoid the darkest scenes: the book demands them." Which in turn was followed by "OMG this book is going to be totally depressing, nobody will read it." After which I galloped to the end and suddenly felt that the book wasn't bad. Not bad at all. In fact, pretty good.

I do know that these assessments have a lot to do with my mood and pacing. There were some scenes I felt were necessary but I hated writing them, and afterwards I would be down on the book as a whole. Getting to the end of the first draft - and discovering a good line to close on - was almost as exhilarating as being shot at and missed. But I seldom feel quite as satisfied as this. Usually the joy of completion is tempered by an awareness of problems that are not fatal, but annoying, and that are baked into the structure in such a way that they can't be completely fixed by editing.

But this time, for whatever reason, I've been floating around feeling ridiculously self-satisfied for two whole weeks.

Which is not necessarily a good thing.

For one thing, it's made me hyper-critical of the fantasy novel I'm plotting, so I don't want to work on it.

For another, it's caused me to procrastinate on the first proofreading, because when I do that I'll have to accept the reality of an imperfect book rather than the glowing image in my head.

Time to bite the bullet. I'm going to proof the first draft today, and in the process I will almost certainly be reminded that the book I actually wrote is not as good as the book in my head.

It never is. That's something you have to accept. Accept and move on.